“Coleridge Tripping: the Biographia Literaria and Proprioceptive Self-Possession.” Studies in Romanticism 59 (Summer 2020): 185-208.
If William Wordsworth’s depersonalizing poetry draws on Spinoza’s radical materialism, then Samuel Taylor Coleridge does not approve of how poet interprets philosopher. In Coleridge’s criticism, disappointed reading becomes the affective measure by which Wordsworth’s poems fail to model self-restraint as a (properly Spinozist) means of preserving the power and integrity of other people.
“Listening not Listening: William Wordsworth and the Radical Materiality of Sound.” European Romantic Review 28.3 (2017): 315-324.
This essay reconsiders the political stakes of William Wordsworth’s 1803 sonnet, “To Toussaint L’Ouverture,” by reading its representation of the legacy of the imprisoned Haitian military leader, Toussaint Louverture, through a Spinozist conception of the affections.
“‘Let us not therefore go hurrying about’: Towards an Aesthetics of Passivity in Keats’s Poetics.” European Romantic Review 25.3 (2014): 309-318.
This essay explores passivity as a dynamic attitude for Keats. Taking as a point of departure the poet’s use of passivity as a compelling force in two of his letters, I argue that the oft-discussed connection between Wordsworth’s “wise passiveness” and Keats’s “negative capability” has led scholars to overlook Keats’s own notion of passivity as a persuasive, as well as receptive, force.
“Reading and the Sociality of Disappointing Affects in Jane Austen” in Affect Theory and Literary Critical Practice: A Feel For the Text, ed. Stephen Ahern (Palgrave Macmillan, 2019): 85-104.
Triggered by disrupted anticipation and followed by a sense of downward momentum, the form of disappointment is a felt trajectory: an affective descent that Jane Austen deploys because of the dynamic kinds of relationality that its embodiment—stumbling, falling—allows her to convey.
Aleksondra Hultquist reviews the collection here.
“‘that strong excepted soul’: Nineteenth-century Women
Read Keats” in Keats’s Negative Capability: New Origins and Afterlives, eds. Brian Rejack and Michael Theune (Liverpool UP, 2019): 60-78.
This chapter explores early nineteenth-century women readers of Keats, whose reflections on the poet’s life and achievements characterize the gap between his 1821 death and the publication and wider circulation of his letters. The women, Elizabeth Barrett Browning, Letitia Elizabeth Landon, and, to a lesser extent, Mary Shelley, provide an archive of critical perspectives on Keats’s legacy and early reception that both challenges and reinforces the by-now canonical accounts of his male contemporaries.
Review of Marjorie Levinson, Thinking Through Poetry: Field Notes on the Romantic Lyric (Oxford: Oxford University Press, 2018): 3 ms. pp.
Thinking Through Poetry puts on display the work of critical re-thinking that renders our scholarship dynamic and vital but also ethical, which is another way of saying willing to admit of change and doubt…. read more.
Review of Jonathan Sachs, The Poetics of Decline in British Romanticism (Cambridge: Cambridge University Press, 2018): 3 ms. pp.
For Sachs, foreseeing decline is not hopelessness but a kind of winnowing down, a way of narrowing future possibilities towards a known terminus—architectural ruin, the Roman Empire, British literary mediocrity, species extinction—in order to prophesize more precisely about it…. read more.
Review of Lily Gurton-Wachter, Watchwords: Romanticism and the Poetics of Attention (Stanford: Stanford University Press, 2016). Modern Philology (2017): 4 ms. pp.
Gurton-Wachter suggests that what we pay attention to when we read and write about war might be transformed by a Romantic commitment to exploring how we keep watch…read more
Review of Jeffery N. Cox, Romanticism in the Shadow of War: Literary Culture in the Napoleonic Years (Cambridge: Cambridge University Press, 2014). Studies in Romanticism 55.1 (Spring 2016): 6 ms. pp.
With the imagined expedition that introduces this richly contextualized new volume, Jeffrey N. Cox spins the globe and then boldly puts his finger on it. Dreaming of a world-spanning Grand Tour that Lord Byron never took…
Nersessian’s tagline, “doing-with-less,” captures the coincidence of ecological and political thinking upon which her investigations of limited utopias build…read more